Pocket Computer

Pocket Computer is improvisational electronic music performed live on eurorack modular synthesizers.

Pocket Computer is Cube S. Lithely and Clark S. Nova.

Waveform City Podcast Interview

Waveform City is a podcast about synthesizer makers and users. They recently interviewed me about my experiences with synthesizers and sound design.

http://waveformcity.blogspot.com/

http://waveformcity.blogspot.com/2014/04/waveform-city-episode-19-shawn-jimmerson.html

Slithis – Return to Planet Slithis

$5 Eurorack Skiff

I recently picked up a few new eurorack modules and one of them (the Doepfer A-149-1) was too deep for my briefcase.

I needed a case to house it in, so I went to the thrift store today armed with measurements for a potential box. Incredibly, I found a perfect candidate for $5. I removed the lid, drilled a few holes and was done.

I’ve got room for more modules, but may need to contend with the dividers, depending on what goes in next.

Update**********

I couldn’t stop working on it and added some feet, a handle, and some blank panels.

Update 2*************

I busted out the dremel, cut down the spacers, and added the Make Noise Teleplexer and Mutable Instruments Braids for a fun little system. Also some Noise Engineering prototypes in there.

Clark S. Nova – Tissue Samples and The Hunter

 

Tissue Samples

Eurorack modular synthesizer and field recordings.
Field recordings:
Rocks in Death Valley, CA
Siamangs at the Los Angeles Zoo
Children in Sapa, Vietnam
Train in Vietnam (Hanoi to Lao Cai)
Frogs in Rio de Los Angeles State Park

 

The Hunter

Ucreate and modular synthesizer, caffeinated vocals, bass guitar, snare drum, Manetron MKII, Curtis, electric guitar and tambourine.

Slithis 12

Slithis session recorded at the end of 2013. More improvisational auditory explorations beyond the oort cloud.

The Hatchlings

Eye of Azathoth

Incantation

Radio Voices (part 1)

Radio Voices (part 2)

Binaural Vision

NAMM 2014

NAMM 2014 is upon us. This post is NAMM through my narrow lens of interest, mainly modular synthesizers,  and is not meant to be comprehensive, so sit back and enjoy the ride without the incredible sonic wall of noise that pervades the convention.

First stop is the Eurorack modular booth hosted by WMD in Hall E.

The Harvestman rig.

This showed up later in the day (a SubCon Vampire in The Harvestman’s case).

Stephen and the Noise Engineering collection.

The Ataraxic Translatron in 2 flavors (just different faceplates) and an amazing kick drum module.

A new oscillator and a new filter. Also a rectifier and divider, which can do far more to a sound than I had imagined.

A new gate sequencer and a new mixer on the bottom.

A super unique rhythm generator is in there as well.

One of the 2 Make Noise systems at NAMM.

These are the 2 new control modules which add preset-like functionality to modulars. The CTRLSEL-G can be used to control one or more CTRLSEL-Vs to add precision to live performance situations. They communicate via the power bus, or a cable if in different cases.

The Teleplexer is an unexpected offering. It works like this: you take a cable coming from a CV source and if you touch the tip to one of the plates, the voltage is sent to the corresponding output(s). The plates are set up so the top row of three route the voltages out of outputs one, two or three, respectively. The second row sends the voltages to one and two, or two and three. The third sends to just one and three, and the fourth is to all three. Below, the same scenario is repeated, but negative voltages are sent to those destinations. With multiple cables at play, things can get complicated.

The Make Noise reverb, which with certain settings, sounded unlike any reverb I’ve heard before. There are no presets and all parameters are brought out to the front panel and can be controlled via CV.

Mysteron, the mystery module aka the digital wavguide, arrives!

Rosie – the cue system with an effects loop.

A couple close-ups of the 1U mult/utility

The WMD/Steady State Fate set up with new modules Amplitude, Pole-Zero, Spectrum, Ultrafold, VCMiniSlew, and the Quad Attenuator. Also Snazzy FX modules in there including the new Telephone Game module. Sorry, this shot is pretty blurry. Can’t win ’em all.

The newly announced Verbos Electronics set. Looking great, out of the gate, with the cool Rogan knobs Buchla nod and unique color scheme. These look aesthetically and functionally great. They sound as cool as they look as well.

Mark showing the very skiffable Voltage Multistage.

That is a thick circuit board!

4MS with their new modular modular case/boats which look like a great solution for people who are ever expanding, rearrange their system a lot, or want to be able to detach a portion of their system for live use.

The QCD expander (on the left), which packs a lot of punch in a small space.

The Delptronics Thunderbell, a CV-able cowbell.

I believe it will be offered in both Eurorack as well as mounted in a real cowbell. CV for the pitch and the decay. It sounds great.

Delptronics General MIDI module prototype.

STG stuff

New Hexinverter modules.

Koma’s set up.

Moon Modular sequencer.

Next I went to check out Gur and Tomio at Tiptop in Hall A in the Big City booth. Sean Costello’s Valhalla Reverb card for the Z-DSP sounds amazing. It is my most anticipated modular purchase of 2014.

An elaborate new sequencer from Tiptop called the Circadian Rhythm.

Serge Wilson Analog Delay in eurorack.

A very capable and flexible looking quantizer.

Eowave modules.

Another case at the Big City booth.

Here’s Todd Barton with the Buchla Music Easel reissue.

They were showing the new preset card that links to the iPad via bluetooth.

It also looks like they have added (reinstated?) the nuts to the switches.

The Moog Sub37. Roger O’Donnell (The Cure, Psychedelic Furs, etc.) is the hand model, btw.

The Moog Theremini. I’m not gonna lie, I want one! I already have a Big Briar theremin with the CV mods done to it, but this thing was fun to play (it has quantizing) and has a great design.

The Prophet 12 from Dave Smith.

An Alquier guitar I checked out.

They ship with a really unique display/stand that hooks on the back via strap locks.

The Haken Continuum. This isn’t new, but it was the first time I sat and played it. It is really expressive. Mark Smart played Bach’s Air for me using it and it sounded amazing.

The Pittsburg Modular Phase Shifter.

Also the new Pittsburg / Studio Electronics collaboration filter set.

Critter and Guitari eurorack gear.

If this Roots board sounds as good as it looks…

These giant wooden cassette coffee tables from Tayble are lovely.

NAMM is exhausting but fun. I hope I just saved you $12 in parking and a day of traffic jams, lines, noise and crowds. Thank you to Stephen from Noise Engineering and William from WMD for the pass!

Clark S. Nova – Patch Things Up

A new track featuring modular synthesizer, Waldorf Q, Electric Guitar and voice.

The electric guitar is the infamous Flying V found in the shrubs from this post: https://pyraphonic.wordpress.com/2013/04/07/guitars-and-beyond/

Electronic Music Article from 1968

I stopped at a garage sale today and on a whim bought an Electronics magazine from 1968. When I got it home, I was flipping through it and was shocked to see a photo of Morton Subotnick in front of a Buchla synthesizer in one of the articles.

The article is a fun read from an anthropological point of view. Electronic music was just starting to get some footing and people were beginning to use computers to make music. Here is a scan of it and a PDF can be downloaded from the link at the bottom of the post. Enjoy!

Noise Engineering Ataraxic Translatron

I helped beta test and provide design feedback for the first Eurorack module from Noise Engineering called the Ataraxic Translatron.

More info here:

http://www.noiseengineering.us/ataraxic-translatron.html

It is a linear feedback shift register oscillator that sounds a lot like the early home video game consoles since it uses the same techniques to create waveforms. I also did a demo video which is embedded below. Note that I made a mistake in stating that the pitch knob scales incoming CV. It actually offsets it.

Purchasing info can be found here:

http://www.noiseengineering.us/purchasing-information.html